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Submissions from 2014

"Indigenous Dances in Early Colonial Mexico City." In Festivals and Daily Life in the Arts of Colonial Latin America, 1492-1850, Donna Pierce, ed. 11-30. Denver: Denver Art Museum, 2014., Barbara E. Mundy

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"Place-Names in Mexico-Tenochtitlan." Ethnohistory 61, no. 2 (Spring 2014), pp. 329-355., Barbara E. Mundy

Submissions from 2012

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An art patron and his housemaid William Mulready's portrait of John Sheepshanks, Kathryn Moore Heleniak

Submissions from 2011

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“Conquering an Island Empire,” “Syncretic Space,” “Litigating Land.” In Mapping Latin America: A Cartographic Reader, K. Offen and J. Dym, eds. 42-45, 51-60. Chicago: University of Chicago Press, 2011., Barbara E. Mundy

“Moteuczoma reborn: Biombo paintings and collective memory in colonial Mexico City.” Winterthur Portfolio, vol. 45, no. 2/3 (Summer/Autumn 2011), pp. 161-176., Barbara E. Mundy

Submissions from 2005

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An English Gentleman's Encounter with Islamic Architecture: Henry Swinburne's Travels through Spain (1779), Kathryn Moore Heleniak

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Money and Marketing Problems: The Plight of Harriet Gouldsmith, a Professional Female Landscape Painter in Early Nineteenth Century England, Kathryn Moore Heleniak

Submissions from 2000

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Victorian collections and British nationalism Vernon, Sheepshanks and the National Gallery of British Art, Kathryn Moore Heleniak

Submissions from 1998

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“Mapping the Aztec Capital: The 1524 Nuremberg map of Tenochtitlan, Its Sources and Meanings.”, Barbara E. Mundy

Submissions from 1990

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Old Kaspar: Pictorial Pacifism in the Napoleonic Period, Kathryn Moore Heleniak