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Submissions from 2017

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Song Reconsidered: Words and Music, Music and Poetry, Lawrence Kramer

Submissions from 2014

"Indigenous Dances in Early Colonial Mexico City." In Festivals and Daily Life in the Arts of Colonial Latin America, 1492-1850, Donna Pierce, ed. 11-30. Denver: Denver Art Museum, 2014., Barbara E. Mundy

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"Place-Names in Mexico-Tenochtitlan." Ethnohistory 61, no. 2 (Spring 2014), pp. 329-355., Barbara E. Mundy

Submissions from 2012

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An art patron and his housemaid William Mulready's portrait of John Sheepshanks, Kathryn Moore Heleniak

Submissions from 2011

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“Conquering an Island Empire,” “Syncretic Space,” “Litigating Land.” In Mapping Latin America: A Cartographic Reader, K. Offen and J. Dym, eds. 42-45, 51-60. Chicago: University of Chicago Press, 2011., Barbara E. Mundy

“Moteuczoma reborn: Biombo paintings and collective memory in colonial Mexico City.” Winterthur Portfolio, vol. 45, no. 2/3 (Summer/Autumn 2011), pp. 161-176., Barbara E. Mundy

Submissions from 2009

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Review of Asselbergs, Florine G. L., Conquered Conquistadors: The Lienzo de Quauhquechollan: A Nahua Vision of the Conquest of Guatemala, Barbara Mundy

Submissions from 2005

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An English Gentleman's Encounter with Islamic Architecture: Henry Swinburne's Travels through Spain (1779), Kathryn Moore Heleniak

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Money and Marketing Problems: The Plight of Harriet Gouldsmith, a Professional Female Landscape Painter in Early Nineteenth Century England, Kathryn Moore Heleniak

Submissions from 2000

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Victorian collections and British nationalism Vernon, Sheepshanks and the National Gallery of British Art, Kathryn Moore Heleniak

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Review of Evans, R. Tripp. Romancing the Maya: Mexican Antiquity in the American Imagination, 1820–1915, Barbara Mundy

Submissions from 1998

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Review of Burke, Marcus B. Treasures of Mexican Colonial Painting; and Mullen, Robert J. Architecture and Its Sculpture in Viceregal Mexico, Barbara Mundy

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“Mapping the Aztec Capital: The 1524 Nuremberg map of Tenochtitlan, Its Sources and Meanings.”, Barbara E. Mundy

Submissions from 1996

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Review of Barlow and Graulich, eds. Codex Azcatitlan, Barbara Mundy

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Review of Berrin and Pasztory, eds. Teotihuacan: Art from the City of the Gods Latin American Indian Literatures Journal, 11, no. 1 (1995), Barbara Mundy

Submissions from 1995

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Review of Brotherston, Gordon. Painted Books from Mexico; and Bassie-Sweet, Karen. At the Edge of the World: Caves and Late Classic Maya World View, Barbara Mundy

Submissions from 1990

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Old Kaspar: Pictorial Pacifism in the Napoleonic Period, Kathryn Moore Heleniak